We are used to domestic spaces being designed for us to inhabit, but what happens when houses become moody main characters rather than backgrounds? With flickering tracings and ornamented strokes, If you begin to feel the house catching at you is an animated video installation that examines the “haunted house” as a fiction trope
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
When night falls and the sun crawls behind our house, a window gradually reveals itself. Through the frosted glass; who is watching whom? Windows look both ways is a site-specific video installation, presented in Mexico City
Ya sea; en silencio o en voz alta, Group Exhibition, Casa Lü, Mexico City, MX
Ya sea; en silencio o en voz alta, Group Exhibition, Casa Lü, Mexico City, MX
Ya sea; en silencio o en voz alta, Group Exhibition, Casa Lü, Mexico City, MX
Ya sea; en silencio o en voz alta, Group Exhibition, Casa Lü, Mexico City, MX

Through animated images of vacant spaces Silence lay steadily against the wood and stone questions when architectural features are experienced as seductive and high-end, unsettling or spooky—and how to challenge these visual codes. The video is an uncanny composition of liminal spaces; transporting you from dusty attics to ornate wedding-venues. Sound design by Juho Nurmela

Untied Knots, Group Exhibition, Reneenee, Amsterdam, NL
Untied Knots, Group Exhibition, Reneenee, Amsterdam, NL
Teaser
Silence lay steadily against the wood and stone, Solo Exhibition, Studio Optika, Copenhagen, DK
Silence lay steadily against the wood and stone, Solo Exhibition, Studio Optika, Copenhagen, DK

The video installation In this corner full of plenty examines recordings of everyday moments and transforms these into graphic, moving paintings. It visualises exciting hidden patterns by carefully tracing and layering movements in the footage. The video distorts our usual sense of depth and perspective and invites the viewer to become an everyday-vouyeur peaking through small openings

The Dune: Going, Going, Gone, group show, Skal Contemporary, Skagen, DK
The Dune: Going, Going, Gone, group show, Skal Contemporary, Skagen, DK
Teaser
The Dune: Going, Going, Gone, group show, Skal Contemporary, Skagen, DK
The Dune: Going, Going, Gone, group show, Skal Contemporary, Skagen, DK

For the bachelor pad is a series of animated sculptures which look at architecture as a structure of control. Midcentury classics are staged to represent a form of masculine desire, as jittering outlines of iconic chairs morph together and become breathing entities 

Kinked is a flexible video installation that seeks to “kink”—bend, warp, curve and twist—familiar images of seduction and desire. By grouping and linking multiple video projections together in a single space, the images form a visual vocabulary, moving towards a new sensual semantics. Sister Let Me Up Photography: Marcel Miranda / Sister Let Me Up Audio: Juho Nurmela / Cowgirl Illustration: Beingobscene.
Part of the Eye Museum Experimental Collection

Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL
Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL
Teaser
Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL
Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL
Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL
Graduation Show 2020, Gerrit Rietveld Academie, Amsterdam, NL

Bimbo-di Bambe-di Boobs is a frivolous investigation into the possibilities of recontextualising a misogynist trope and use the Bimbo as a powertool to denaturalise narratives of desire formed by white patriarchy. Nominated for the Gerrit Rietveld Thesis Prize. Design collab. Nicolai Schmelling

A fierce match of visual jabs and backhanded animations in collaboration with artist Nicolai Schmelling. The site specific installation Backwards And So Forth was created for the wooden insides of Sociëteit SEXYLAND, Amsterdam

Backwards And So Forth, duo show, Sociëteit Sexyland, Amsterdam, NL
Backwards And So Forth, duo show, Sociëteit Sexyland, Amsterdam, NL

Feline Hjermind (DK,1993) is a crafter of moving images, engaged in shaping a unique visual language, an audiovisual handwriting. Maintaining a frivolous yet critical approach to popular image culture, Hjermind develops ways of animating: bringing life and character to static images and rigid concepts.

Based in Amsterdam, NL
[email protected]
@feline.hjermind

Solo Shows
  • 2023 If you begin to feel the house catching at you, Neverneverland, Amsterdam, NL
  • 2022 Silence lay steadily against the wood and stone, Studio Optika, Copenhagen, DK
  • Selected Shows
  • 2024 Prospects, Group Exhibition, Art Rotterdam, Rotterdam, NL
  • 2023 At fortælle menneskene, Group Exhibition, KH7 Smallspace, Aarhus, DK
  • 2023 Ya sea; en silencio o en voz alta, Group Exhibition, Casa Lü, Mexico City, MX
  • 2023 XXL Dreams, Group Exhibition, Home Cinema at Laak, Den Haag, NL
  • 2023 Weak Signal, Group Exhibition, Humours, Amsterdam, NL
  • 2022 BYOB, Group Exhibition, Upstream Gallery x Oedipus, Amsterdam, NL
  • 2022 Untied Knots, Group Exhibition, Reneenee, Amsterdam, NL
  • 2021 The Dune, Duo Exhibition with Emilie Bausager, Skal Contemporary, Skagen, DK
  • 2021 Fuck Culture Descriptive, Group Exhibition, Porn Film Festival, Vienna, AT
  • 2021 Collectibles, Online Group Exhibition, Subbacultcha, Amsterdam, NL
  • 2021 Galleri Anti fundraising event, Group Exhibition, Ved Siden Af, Copenhagen, DK
  • 2021 Kinked, Festival Screening, 67th International Short Film Festival Oberhausen, Oberhausen, DE
  • 2021 Eye on Art, Film Screening, Eye Film Museum, Amsterdam, NL
  • 2021 In this corner full of plenty, Commissioned Exhibition, Douanelab, Amsterdam, NL
  • 2020 Collection Remixed, Solo Exhibition, ARoS Atelier, Aarhus, DK
  • 2020 Technical Bodies - Bodies Technically, Group Exhibition, Køn Museum, Aarhus, DK
  • 2020 Kinked, Graduation Show, Gerrit Rietveld Academie, Amsterdam, NL
  • 2019 UNCUT, Group Exhibition, Stedelijk Museum, Amsterdam, NL
  • 2019 OAS1° 5, Group Exhibition, De School, Amsterdam, NL
  • 2019 Vincent Op Vrijdag, VJ-performance, Van Gogh Museum, Amsterdam, NL
  • 2019 Rietveld VAV x Bimhuis, Group Exhibition, Bimhuis, Amsterdam, NL
  • 2019 One Minute is Eternal, Group Exhibition, Power Station of Arts, Shanghai, CN
  • 2019 SYMBYOSYS ADE, VJ-performance, Sexyland, Amsterdam, NL
  • 2019 Snaky Zine #1, Film Screening, OT301, Amsterdam, NL
  • 2018 Backwards And So Forth, Duo Exhibition with Nicolai Schmelling, Sexyland, Amsterdam, NL
  • 2018 Ways Of Seeing The Future, Group Exhibition, AMNUA, Nanjing, CN
  • 2018 Beam Me Up Gerrit!, Group Exhibition, Paradiso, Amsterdam, NL
  • 2018 I can swim with that, Group Exhibition, Het Fijnhout, Amsterdam, NL
  • Education
  • 2016-2020 Gerrit Rietveld Academie BFA, Amsterdam, NL
  • 2015-2016 Foundation Year, VERA School of art and design, Copenhagen, DK
  • 2014 Preparatory Course, Folk Art School Holbæk, Holbæk, DK
  • Grants and nominations
  • 2022-2023 Receiver of the talent development grant Artist Start, Mondriaan Fund
  • 2020 Bimbo-di Bambe-di Boobs nominated for the Gerrit Rietveld Bachelor Thesis Prize
  • Collections
  • Kinked (2020) is part of the Eye Filmmuseum Collection.
  • Bejeweled (2017) is part of The One Minutes collection Synthetic Selves, curated by NXS World
  • Residencies
  • 2023 Resident at Casa Lü, Mexico City, MX
  • 2022 Resident at MACA, Moving Arts Centre Amsterdam, NL
  • 2020 Invited by curator group Popmaché to join them at ARoS Art Museum, Aarhus, DK
  • Editing
  • 2023 Main Editor of documentary short: Har du sett ho? by director Astrid Ardagh
  • 2022 Main Editor of fiction short: Wanneer harten droevig zijn by director Renée van Zadelhoff